Who is Miss Sparkle?
The daughter of capitalism, trying to protect humanity and Mother Earth from destroying itself. She is Tóth Lauras alter ego, who is also fighting climate change. She is an influencer, climate coach and the leader of the Superhero Tutorial.
Up Set is a manifestation of the time spent waiting together before the moment is fulfilled. A realisation of the elusiveness of the anticipated moment.
mama is a choreographic space somewhere on the intersection of the obscure and the sensual. Through exploring a set of enigmatic organs, mama confuses the concepts of in and out and proposes an embodied sense of self-alienation where the human is challenged as identity and stimulated as materiality.
Sweat Set seeks the revolutionary power of movement, through the memory of emblematic choreographies, fuelled by a sense of passion and liberation.
AHA Collective is a formation of six dancers established in 2021. The ever changing roles within the group gives way for diverse inputs from the members, examining performativity and the various forms of collaboration.
Have you always been curious how a choreography is made but you never knew how to ask about it? Are you interested in studio work? The time has come for you to get an insight in the – seemingly mysterious – work of the choreographer.
The piece ironically reflects palpable contradictions of the art world, demanding artists on the one hand to produce critical discourse and also to accept the precarious work conditions and a life-long indebtedness.
AHA Collective is a formation of six dancers established in 2021. The ever changing roles within the group gives way for diverse inputs from the members, examining performativity and the various forms of collaboration.
The young choreographer steps out to public space for the first time when presenting the public space version of her sweepingly dynamic show Miracle, originally presented in a theatre space.
This is a story – or hundreds of stories – told through pure dance, of tender connections and unwinding in a community, of tiny frictions becoming huge abysses, of the self found or lost in uniformity, and of sharing individual journeys within a larger organization (or organism) that is an ensemble.
The performance looks into the possibilities underlying the instances of and our relationship with failure in the language of new circus. The performance is based on a confession – a text recorded by an acrobat 35 years of age.
This online presentation is a film adaptation of the performance, which will be premiered live in November 2021 at Trafó House of Contemporary Arts.
The conquest of the Diorama Group. They take back, unite, then redistribute and heals, but most of all loves the very Hungary where we sneer at each other from behind opposing trenches.
We are invited to a dinner party, a cabaret or an immersive theatre experience. Or maybe to all this. The world of the performance was created during the creators’ research on the language of the Bouffon, to which they invite their guests to question social norms, hierarchies and status quo.
„I came to the conclusion that I need almost the same skills as an artist as I do as a mother. I practice a lot every day. I am persistent, sensitive, flexible and creative. I search and find the best solution. I can do many things at once. I cope well with stress. I am physically resilient.”
…focuses on positioning static and moving bodies in space, cramming matching and mismatched systems into it and examining the distance between bodies.
performative, participative, urban-pictogram walk the adaptation of Mechanics of Distance
The performance Trippin’ is a further reflection on the already presented Miracle, framed by the human body, the physical and philosophical ideas of part and whole and the existence in fixed/free systems.
