Is freedom a solitary or a social genre? Idyllic? Comic? Tragic? Is it all of these? If no one sees it, does it still happen, or is it necessary that someone external identifies, captures the moment?

Four dancers investigate the Hungarian punk subculture from the angle of avantgarde applying the collage aesthetics of the punk in movement. With the application of the punk idea, which constantly searches for new correlations of the established social and cultural agreements…

Three boys go hunting in the forest. Just like in a tale. But what is it that they hunt for if there are only the three of them in the sterile space? For each other? Or for themselves?

Animal City is an interactive performance that explores dynamics of human and animal social behavior.

‘Watch Me Happening’ is bargaining, a dialogue between various parts, within one self, or a dance, a solo. It’s a piece in which objective and subjective, personal and collective approaches, opinions and thoughts are treated in the boundary of instincts and consciousness.

The performance is the new version of the Laban Prize nominated piece Old Pond by Zsusza Rózsavölgyi and Tóbiás Terebessy. The choreographer now retakes the pulsating choreography with 21 dancers from Salzburg Experimental Academy of Dance (SEAD).

The performance makes use of time seemingly spent uselessly through dance emerging from everyday emotions and situations. ‘Your mother at my door’ is part of the priority companies of Aerowaves Spring Forward 2017.

Zsuzsa Rózsavölgyi investigates the female body, its role in today’s society, its reasons and aspects of successfulness or unsuccessfulness. Revealing taboos and personal confessions about living in a female body in a lecture-performance solo piece.

Five people try to surrender in a fictitious world. If not truly connect at least to coexist peacefully in a world created by the fiction of theatre. They work hard to make sense out of nonsense and land on a common ground of acceptance. Five individuals meet in a fictive room hosted by the theatre. With their voice, with their body and with the objects found as if they were leftovers of a riot of a fictitious protest.

Hirokai Umeda works with five Hungarian dancers to present his new piece DRIVES at Sziget festival, then at Trafó House of Conteporary Arts in September. The dancers who have different dance characters share a common movement system given by the choreographer. Sharp electronic sound and geometric abstract visual images with dance movement make strangely organic space, which audience can ‘experience’ in this piece.

Two dancers, Viktória Dányi and Nelson Reguera Perez examine all what is underlying a relationship between two people through this endlessly repeated, routine-like gesture.