AHA Collective: Up Set (2025)
Up Set is a manifestation of the time spent waiting together before the moment is fulfilled. A realisation of the elusiveness of the anticipated moment.
Tóth Laura: Superhero Tutorial (2025)
Who is Miss Sparkle?
The daughter of capitalism, trying to protect humanity and Mother Earth from destroying itself. She is Tóth Lauras alter ego, who is also fighting climate change. She is an influencer, climate coach and the leader of the Superhero Tutorial.
AHA Collective: Sweat Set (2024)
Sweat Set seeks the revolutionary power of movement, through the memory of emblematic choreographies, fuelled by a sense of passion and liberation.
Máté Mészáros: MÁTÉ AND I (2023)
Have you always been curious how a choreography is made but you never knew how to ask about it? Are you interested in studio work? The time has come for you to get an insight in the – seemingly mysterious – work of the choreographer.
Júlia Vavra: Artists Like Me (2023)
The piece ironically reflects palpable contradictions of the art world, demanding artists on the one hand to produce critical discourse and also to accept the precarious work conditions and a life-long indebtedness.
AHA Collective: DENSE PIECE (2023)
AHA Collective is a formation of six dancers established in 2021. The ever changing roles within the group gives way for diverse inputs from the members, examining performativity and the various forms of collaboration.
Réka Oberfrank: Miracle – special edition (2023)
The young choreographer steps out to public space for the first time when presenting the public space version of her sweepingly dynamic show Miracle, originally presented in a theatre space.
Réka Oberfrank: Miracle (2021)
This is a story – or hundreds of stories – told through pure dance, of tender connections and unwinding in a community, of tiny frictions becoming huge abysses, of the self found or lost in uniformity, and of sharing individual journeys within a larger organization (or organism) that is an ensemble.
Grotesque Gymnastics: ANATOMY OF FAILURE (2022)
The performance looks into the possibilities underlying the instances of and our relationship with failure in the language of new circus. The performance is based on a confession – a text recorded by an acrobat 35 years of age.
Máté Mészáros: THROUGH LIGHT (2021)
This online presentation is a film adaptation of the performance, which will be premiered live in November 2021 at Trafó House of Contemporary Arts.
Diorama Group: DIORAMA OF HUNGARIANS (2022)
The conquest of the Diorama Group. They take back, unite, then redistribute and heals, but most of all loves the very Hungary where we sneer at each other from behind opposing trenches.
Csaba Molnár – Veronika Szabó: CANDLE-LIT DINNER (2019)
We are invited to a dinner party, a cabaret or an immersive theatre experience. Or maybe to all this. The world of the performance was created during the creators’ research on the language of the Bouffon, to which they invite their guests to question social norms, hierarchies and status quo.
Máté Mészáros: MECHANICS OF DISTANCE (2019)
…focuses on positioning static and moving bodies in space, cramming matching and mismatched systems into it and examining the distance between bodies.
Máté Mészáros: MECHANICS OF DISTANCE – pictograms (2021)
performative, participative, urban-pictogram walk the adaptation of Mechanics of Distance
Réka Oberfrank: TRIPPIN’ (2022)
The performance Trippin’ is a further reflection on the already presented Miracle, framed by the human body, the physical and philosophical ideas of part and whole and the existence in fixed/free systems.
Viktória Dányi & Dóra Furulyás: NO. 1 BOX STREET (2021)
It is important for the artists that children get familiar with contemporary dance at an early age, are enriched by high quality cultural experiences. With this mission the artists’ ambition is to start opening the relatively closed contemporary dance scene at the phase when it all starts.
Máté Váth: HUMAN MACHINE (2023)
The show combines contemporary dance, urban dance, and tutting movements in a unique blend and introduces the audience to the precise and intricate machinery of the human body through a short but intense piece.
Timothy and the Things: ESCAPOLOGISTS (2022)
Is freedom a solitary or a social genre? Idyllic? Comic? Tragic? Is it all of these? If no one sees it, does it still happen, or is it necessary that someone external identifies, captures the moment?
Zoltán Nagy: P.U.N.K. (2022)
Four dancers investigate the Hungarian punk subculture from the angle of avantgarde applying the collage aesthetics of the punk in movement. With the application of the punk idea, which constantly searches for new correlations of the established social and cultural agreements…
VADAS-GRYLLUS-TÓTH: NIBIRU III. – LOUD RING (2019)
The legend says that Nibiru is the tenth planet of the solar system, which when crashing into Earth will end the forms of life as we know them now.