The ESZME is developing a domestic residency programme in which independent theatre projects and creators can apply to use rural stone (puppet) theatres that are unused during the summer.
To this end, it is primarily necessary to develop the structure of the residency programme and establish cooperation with theatre partners.

The ESZME association sees the development of the Hungarian Puppet Residency Programme as a possible alternative for supporting independent artists, which could also strengthen the connection between the state funded theatres and the independent creative sphere. The programme in brief: independent artists can apply for a specific
period, independent artists can apply to experiment with their proposed projects in the rehearsal/stage spaces of theatres that are not in operation during the summer, with accommodation provided.
In agreement with the theatre in question, at the end of the period, they present their work-in-progress/finished work to the theatre on favourable terms. The programme aims to satisfy several needs:
guest artists in theatre spaces, the presentation of their ideas, the availability of infrastructure for the applicant, and the opportunity for the theatre to get to know an independent artist.
In addition, it aims to bridge the gap between the independent and the non-independent.

This workshop series provides women over 60 with a space and tools to reconnect with themselves and their bodies in a fixed group. To discover everything that has changed in themselves. The language of the workshops is based on various forms of movement and touch.

It can be observed that older generations of women are largely inactive. This is not only a sign of dysfunction in our society, but also of individual burnout. Above a certain age, for various reasons, such as retirement or the loss of a partner, people tend to slow down, even to the point of becoming completely immobile. They often hide behind the excuse, ‘I’m too old for this, it doesn’t matter to me anymore!’
Fortunately, we also know of truly positive counterexamples, and this is what motivates me to start this group. I believe it is important for retirees to be active and physically and mentally healthy members of our society. Through movement (dance, mindful presence, gymnastics, yoga) and touch (individual and group massage, contact improvisation), they will get to know their bodies again and bring to life the strength that lies within even an ageing body. Last but not least, the power of a common cause also lies in the formation of a new community.

Balta Award – an award with an artistic perspective.
It draws attention to the work of people, institutions and initiatives that are actively involved in the field of contemporary dance.
The creators founded this unique award as part of the Game Changer platform with the aim of showcasing the work of people, institutions and initiatives that are actively involved in the field of contemporary dance and are capable of breaking through existing structures, institutions and initiatives in the field of contemporary dance that are capable of breaking through existing structures
or keeping the spirit of the profession alive.

The axe is a tool in the hands of action. The axe breaks through, opens up and thus liberates.
It stirs up stagnant waters, sets stagnant energies in motion, and creates space in structures believed to be solid.
It is important for us to pause for a moment to give thanks and appreciate the visible and invisible energies that support and energise this field!
We do this for ourselves and for each other.
We do this for the future.

The aim of Mani is Me is to create a series of workshops and an educational video in which they want to help freelance artists clarify their attitude towards money, identify and break down taboos and communication difficulties, and price their work realistically.

They want to talk and discuss money, salaries, budgets, time spent on work and its value without taboos. It seems that we are full of repression and fears when it comes to money. They want to resolve this and discuss salaries and thus the value of our work transparently, share our thoughts and think together. In times of crisis, when everything is becoming more and more expensive, the question is becoming increasingly pressing. What can we change about our habits? How do we determine the value of our work? Why is it so difficult to assert our own interests?
What helps? How can we practise clear communication? How can I maintain my boundaries when discussing the structure and value of a job? How can I separate my personal and professional relationships in a small and closed professional environment? Through sharing and analysing case studies, we would like to find answers to these questions together. We hope that the workshop will help us move forward on the above-mentioned and similar issues.

Extinction is close to the situation of independents, who are looking for alternative solutions due to slow bleeding and lack of financial support. Global warming is prompting a similar systemic rethink. The climate crisis is also the result of a social crisis stemming from the capitalist economy, which includes social inequality and the decline of education and culture.
By understanding the interconnection of these problems, the complex expression of performing artists can become a powerful tool for raising awareness. Instead of learned helplessness, we practise active presence together.

Within the framework of a planned six-month collaboration with Extinction Rebellion, we would support the emerging Civil EU Presidency with actions, amplifying the voice of civil society organisations through the language of art and creativity.