Own production

MÁTÉ MÉSZÁROS: MECHANICS OF DISTANCE (2019)

Previous Next Photo: László BELLAI Premiered on 26 May 2019 at the National Dance Theatre, Budapest The performers from three very different backgrounds (a classically trained ballet dancer, a dancer with a folk dance background and a dancer trained with contemporary techniques) and the musician interfere with each others personal spaces so much that the […]

VADAS-GRYLLUS-TÓTH: NIBIRU III. – LOUD RING (2019)

Previous Next Photo: László BELLAI / Máté BARTHA Premiered on 13 December 2019at Bakelit Multi Art Center, Budapest workshopping and presentation with children The legend says that Nibiru is the tenth planet of the solar system, which when crashing into Earth will end the forms of life as we know them now. It is a […]

VADAS-GRYLLUS-TÓTH: NIBIRU (2019)

Previous Next Photo: László BELLAI / Máté BARTHA Premiered on 22-23 January 2019 at Trafó House of Contemporary House, Budapest ’Gleamy mucosa drew up against the blue islands connecting your empires. The wind whirled aluminium parts, and you were running away from the volcano sliding on plastic shield. But it didn’t erupt, it just murmured […]

MÁTÉ MÉSZÁROS: UNITED SPACE OF AMBIVALENCE (2018)

Previous Next Photo: Vera ÉDER Premiered on 9-10 February 2018at Trafó House of Contemporary Arts, Budapest Endless game, art of precision and self-parody or fake documentary insight into the creative processes of art making? The very first task is to decide where the stage ends and where it faces, the stage on which the five […]

TIMOTHY AND THE THINGS: HUNTING (2018)

Previous Next Photo: Orsolya VÉNER Premiered on 28-29 March 2018 at Trafó House of Contemporary Arts, Budapest Three boys go hunting in the forest. Just like in a tale. But what is it that they hunt for if there are only the three of them in the sterile space? For each other? Or for themselves? […]

VERONIKA SZABÓ: QUEENDOM (2017)

Previous Next Premiered on 13 February 2017 at MU Theatre, Budapest Veronika Szabó’s theatre performance, Queendom is at the intersection of contemporary performance, physical theatre and drag shows performed by 8 women. It is about female representations and the power of the male gaze. ‘… One might simplify this by saying: men act and women […]

ZSUZSA RÓZSAVÖLGYI: 1.7 (2016)

Previous Next Premiered on 25 September 2016 at MU Theatre, Budapest What is this number? A new mobile phone model? I’ve googled it. Beta 1.7 Minecraft 1.7 update… it could be the new 1.7 chick of Pygmalion. I have clicked them through but found no content that relates to the female body. However, it relates […]

GÁSPÁR TÉRI: ANATOMY OF FAILURE

The performance looks into the possibilities underlying the instances of and our relationship with failure in the language of new circus. The performance is based on a confession – a text recorded by an acrobat 35 years of age.

MÁTÉ MÉSZÁROS: MECHANICS OF DISTANCE

Mechanics of Distance, a site specific or rather site-reflecting deep study on body-encounter-variations in a space within an unexpected new dimension where the movement of the elements seem accidental yet they are far-reaching and intentional and are a redefinition of proximity, inter-personal and inter-space interaction…
The piece focuses on positioning static and moving bodies in space, cramming matching and mismatched systems into it and examining the distance between bodies.

VADAS-GRYLLUS-TÓTH: NIBIRU

Nibiru is a creative process created by Zsófia Tamara Vadas dancemaker, Ábris Gryllus media artist and Márton Emil Tóth fine artist. The performance is presented by children, who were deeply involved into the creative process.

MÁTÉ MÉSZÁROS: UNITED SPACE OF AMBIVALENCE

Premiered in 2018 Place: Trafo Jegyvásárlás Endless game, art of precision and self-parody or fake documentary insight into the creative processes of art making?   Endless game, art of precision and self-parody or fake documentary insight into the creative processes of art making?   It is already a task to decide where the stage ends and where […]

VERONIKA SZABÓ: QUEENDOM

Queendom is at the intersection of contemporary performance, physical theatre and drag shows. It is based on structured improvisation where the audience’s presence becomes the co-creator of a performance that takes a different shape every night. It displays female and male representations from the Renaissance up to today’s pop culture.

VADAS-TÓTH-GRYLLUS: SLEEPING BEAUTY PROJECT

Sleeping Beauty Project invites the viewers into the transit zone of our inner world and the outer reality. Through text, sound and lights the viewers will experience their own virtual performance and will be offered a space of togetherness.

CSABA MOLNÁR: WATCH ME HAPPENING

‘Watch Me Happening’ is bargaining, a dialogue between various parts, within one self, or a dance, a solo. It’s a piece in which objective and subjective, personal and collective approaches, opinions and thoughts are treated in the boundary of instincts and consciousness.

TIMOTHY AND THE THINGS: WAITING FOR SCHRÖDINGER

The starting point of the performance was the thought experiment of the Shcrödinger’s Cat by the Nobel-prize winner physicist Erwin Schrödinger. The scientist used this experiment to show tht particles can be at various places and in various states at the same time. The experiment points at the absurdity of cat being dead or alive being dependant on the fact if this state is being watched or not.

ZSUZSA RÓZSAVÖLGYI: MEDUSE

The performance is the new version of the Laban Prize nominated piece Old Pond by Zsusza Rózsavölgyi and Tóbiás Terebessy. The choreographer now retakes the pulsating choreography with 21 dancers from Salzburg Experimental Academy of Dance (SEAD).

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